There is a lot of confusion about copyrights… YES, your art is yours when you create it. In many countries you don’t have to register your work to protect it. In the United States, it is really important (in this artist’s opinion) to register your art with the Library of Congress.
Recently someone left the following comment on a past blog post on the topic:
My IP professor talked about needing registration to bring suit. So I asked what protections does one have if they don’t register then, because she had belabored the fact that post-Berne it was not needed. She answered, “the protections of copyright” which had left me perplexed.
I can totally see why the person is perplexed – the IP professor broke the golden rule – they pretty much said everything and nothing at the same time.
What does “the protections of copyright” mean and is it covered by the Berne convention or do you need to register with the Library of Congress?
Let’s start by saying I’m not an IP professor nor am I an attorney. But I’ve been in this business a while and discussed this topic with many of my fellow artists and IP attorneys.
Here are two reasons I believe you SHOULD register your art and not rely on “I made it, therefore I own the copyrights”
1. Registering your work gives you a basis of proving that (a) the art is your creation and (b) when you created it. If you get into a dispute down the road and someone says you copied them when it was the other way around, you might be able to show that your work pre-dated theirs…. that can be helpful.
2. You have more legal recourse in the US when you have registered your work. If you don’t register your art, the only thing you might be able to do if someone copies it and is making money by using it, is stop them. You can’t collect your attorney fees if you win, damages or any profits they might have made if you haven’t registered your work.
Here are a few links if you really want to dig into this topic:
Library of Congress on International Copyright protection >> http://www.copyright.gov/fls/fl100.html
The UK Copyright Service on the Berne Convention >> http://www.copyrightservice.co.uk/copyright/p08_berne_convention
Wikepedia and the Berne Convention >> https://en.wikipedia.org/wiki/Berne_Convention
To my way of looking at it, it is worth spending the time and money to regularly register my work. It’s like insurance, hopefully I won’t need it but I’ll be glad I have it if someone uses my art without permission!
Here’s to your creative – and protected – success!
– Tara Reed
P.S. Attorney Sarah Feingold wrote a great book about the process – Copyrights for Artists – you can learn more here
Thanks, Tara. You are always so generous with your information. Trust me… it is greatly valued and appreciated!
Tara,
I appreciate your point of view and agree with the legal implications.
Unfortunately, it would be more than a full time job for a prolific artist to copyright all of the work, not to mention the expense.
Do you have any suggestions on how to achieve this in a time and cost efficient way?
Thanks for your advice!
Terry
Terry,
As my partner, Melissa, and I acquired Art Licensing Info from the wonderful Tara Reed back in July, I will take over answering your question for you.
The workload of filing for copyrights is all dependent on your prolific nature . . . if you are producing a significant amount of art, you are correct – filing copyrights can be a tedious job. Conversely, if you don’t produce a significant amount of artwork, this job is less a burden. In either case, what we might recommend is that you complete your filings quarterly versus whenever your art is created. At those quarterly filing periods, you can also take advantage of the Copyright Office option of filing by collections, or what is called a “mass application.” For more information on filing collections and the definition of a “collection,” check out the “Copyright Basics” at the http://www.copyright.gov website.
By filing quarterly, you can devote the time necessary for filing just once every three months; and if You can take advantage of Collection or Mass Applications, you can save time and dollars.
You might also want to listen to our free Industry Icon Interview with the Copyright Office! Check it out at http://www.artlicensinginfo.com/interview-replays (scroll down the page to find the session with the Copyright Office).
Hope this helps!!